The matrix A Pop Culture Fusion of west Literature Literary Masterpieces Professor Hirschberg 12/6/00 Initially, I didnt get it. Having heard that the hyaloplasm was a quiet sci-fi fusion of virtual reality, amazing warriorlike arts correct up, and philosophical undertones I took my girlfri s crestping point to see it at the local anesthetic theater of operations as soon as she was pole from college. The special effects were truly breathtaking: I set in motion myself dumb set in motioned at the first fight scene as the camera panned clxxx° around a h everyplaceing lead before she delivered a deadly flying center cringe to the police officer inadvisable enough to try to bring forth her. I have to admit, though, that as the plastic film progressed I found myself struggling to keep up with the plot line. By the fourth dimension the movie ended with Keanu Reeves shell ascending into the sky, I had that warm, fuzzed feeling that the protagonist had won out in t he endI just wasnt sure why. It wasnt until having watched the movie several(prenominal) times that I could appreciate its storyline, and then several more times that I could appreciate its complexity. Not only(prenominal) does the movie appeal to my intensity for technology and my lust for martial arts acrobatics, it in like manner appeals to my hobby in early Western and postmodern thought and Christian theology.

Apparently, harmonize to box office numbers and the rise of Matrix web peal and chat sites, I am not but in my fondness of this movie. Since its debut in April of 1999, The Matrix has grossed everyplace $171 million in the box office, putting it in the top 100 money f ashioning films of all time. The movie has ! also bony over $500 million in videodisc sales, making it the most sought-after DVD video of 1999. several(prenominal) web rings have sprung up all over the Internet fleshing out... If you expect to get a full essay, cabaret it on our website:
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